36 years Ago today, 🇯🇲Jamaican Reggae Musical Legend and committed RASTAFARI;

36 years Ago today, 🇯🇲Jamaican Reggae Musical Legend and committed RASTAFARI; @bobmarley died!!! His songs and Memories live on ❤️💜❤️  #bobmarley #liveone #bobmarleyliveson 

Robert Nesta "Bob" Marley, OM (6 February 1945 – 11 May 1981) was a Jamaican singer-songwriter, musician and guitarist who achieved international fame and acclaim,blending mostly reggae, ska and rocksteady in his compositions. Starting out in 1963 with the group the Wailers, he forged a distinctive songwriting and vocal style that would later resonate with audiences worldwide. The Wailers would go on to release some of the earliest reggae records with producer Lee "Scratch" Perry
After the Wailers disbanded in 1974, Marley pursued a solo career upon his relocation to England that culminated in the release of the album Exodus in 1977, which established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records. Exodus stayed on the British album charts for 56 consecutive weeks. It included four UK hit singles: "Exodus", "Waiting in Vain", "Jamming", and "One Love". In 1978 he released the album Kaya, which included the hit singles "Is This Love" and "Satisfy My Soul".

Diagnosed with acral lentiginous melanoma in 1977, Marley died on 11 May 1981 in Miami at age 36. He was a committed Rastafari who infused his music with a sense of spirituality. He is credited with popularising reggae music around the world and served as a symbol of Jamaican culture and identity. Marley has also evolved into a global symbol and inspired numerous items of merchandise.

Musical career

 Bob Marley and the Wailers

1962–72: Early years

In February 1962, Marley recorded four songs, "Judge Not", "One Cup of Coffee", "Do You Still Love Me?" and "Terror", at Federal Studio for local music producer Leslie Kong. Three of the songs were released on Beverley's with "One Cup of Coffee" being released under the pseudonym Bobby Martell.
In 1963, Bob Marley, Bunny Wailer, Peter Tosh, Junior Braithwaite, Beverley Kelso, and Cherry Smith were called the Teenagers. They later changed the name to the Wailing Rudeboys, then to the Wailing Wailers, at which point they were discovered by record producer Coxsone Dodd, and finally to the Wailers. Their single "Simmer Down" for the Coxsone label became a Jamaican #1 in February 1964 selling an estimated 70,000 copies. The Wailers, now regularly recording for Studio One, found themselves working with established Jamaican musicians such as Ernest Ranglin (arranger "It Hurts To Be Alone"), the keyboardist Jackie Mittoo and saxophonist Roland Alphonso. By 1966, Braithwaite, Kelso, and Smith had left the Wailers, leaving the core trio of Bob Marley, Bunny Wailer, and Peter Tosh.

In 1966, Marley married Rita Anderson, and moved near his mother's residence in Wilmington, Delaware in the United States for a short time, during which he worked as a DuPont lab assistant and on the assembly line at a Chrysler plant, under the alias Donald Marley.
Though raised as a Catholic, Marley became interested in Rastafari beliefs in the 1960s, when away from his mother's influence. After returning to Jamaica, Marley formally converted to Rastafari and began to grow dreadlocks. The Rastafari proscription against cutting hair is based on the biblical Samson, who as a Nazirite, was expected to make certain religious vows, including the ritual treatment of his hair as described in Chapter Six of the Book of Numbers: "All the days of the vow of his separation there shall no razor come upon his head: until the days be fulfilled, in the which he separateth himself unto the Lord, he shall be holy, and shall let the locks of the hair of his head grow."(Numbers 6: 5 KJV)

After a financial disagreement with Dodd, Marley and his band teamed up with Lee "Scratch" Perry and his studio band, the Upsetters. Although the alliance lasted less than a year, they recorded what many consider the Wailers' finest work. Marley and Perry split after a dispute regarding the assignment of recording rights, but they would remain friends and work together again.
1969 brought another change to Jamaican popular music in which the beat slowed down even further. The new beat was a slow, steady, ticking rhythm that was first heard on the Maytals song "Do the Reggay." Marley approached producer Leslie Kong, who was regarded as one of the major developers of the reggae sound. For the recordings, Kong combined the Wailers with his studio musicians called Beverley's All-Stars, which consisted of the bassists Lloyd Parks and Jackie Jackson, the drummer Paul Douglas, the keyboard players Gladstone Anderson and Winston Wright, and the guitarists Rad Bryan, Lynn Taitt, and Hux Brown. As David Moskowitz writes, "The tracks recorded in this session illustrated the Wailers’ earliest efforts in the new reggae style. Gone are the ska trumpets and saxophones of the earlier songs, with instrumental breaks now being played by the electric guitar." The songs recorded would be released as the album The Best of The Wailers, including tracks "Soul Shakedown Party," "Stop That Train," "Caution," "Go Tell It on the Mountain," "Soon Come," "Can’t You See," "Soul Captives," "Cheer Up," "Back Out," and "Do It Twice".

Ridgmount Gardens, Bloomsbury,London

Between 1968 and 1972, Bob and Rita Marley, Peter Tosh and Bunny Wailer re-cut some old tracks with JAD Records in Kingston and London in an attempt to commercialise the Wailers' sound. Bunny later asserted that these songs "should never be released on an album ... they were just demos for record companies to listen to". In 1968, Bob and Rita visited songwriter Jimmy Norman at his apartment in the Bronx. Norman had written the extended lyrics for Kai Winding's "Time Is on My Side" (covered by the Rolling Stones)

and had also written for Johnny Nash and Jimi Hendrix. A three-day jam session with Norman and others, including Norman's co-writer Al Pyfrom, resulted in a 24-minute tape of Marley performing several of his own and Norman-Pyfrom's compositions. This tape is, according to Reggae archivist Roger Steffens, rare in that it was influenced by pop rather than reggae, as part of an effort to break Marley into the American charts. According to an article in The New York Times, Marley experimented on the tape with different sounds, adopting a doo-wop style on "Stay With Me" and "the slow love song style of 1960's artists" on "Splish for My Splash". An artist yet to establish himself outside his native Jamaica, Marley lived in Ridgmount Gardens, Bloomsbury, during 1972.